MISADVENTURES

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whoaaa

Dillinger Tour!!!!!!!!!!

this is so fuckin crazy

THE DILLINGER ESCAPE PLAN // TERA MELOS 

04/27  Scottsdale, AZ @ Pub Rock Live *
04/28  Albuquerque, NM @ Launchpad *
04/29  Denver, CO @ The Marquis Theater *
05/01  Dallas, TX @ Trees *
05/02  Houston, TX @ Fitzgerald’s *
05/03  Austin, TX @ The Mohawk *
05/05  Little Rock, AR @ Juanita’s Cafe 
05/06  New Orleans, LA @ One Eyed Jacks *
05/07  Atlanta, GA @ The Masquerade *
05/10  Hartford, CT @ The Webster Theatre/Webster Underground *

* w/ The Dillinger Escape Plan & Vattnet Viskar

satan’s power II

merry christmas/chrimbus/happy holidays/whatever to you all!

i made a new christmas ep to filthy your ears. please enjoy irresponsibly.

-nick r

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Scary Sounds

hey all you tumblrs out there. did you get a chance to check this weirdness out?? if not have a looksee!

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i’ve wanted to do a halloween themed, guitar-based ambient record for a long time now. there have been a couple times that i’ve started working on the idea but either got distracted with other musical things or just overwhelmed with the thought of actually finishing the project and being happy with it. on the surface it sounds silly to feel stressed out over recording some weird sounds and then stringing them together, but for me it wasn’t an easy process. halloween is really special for me. i worked the seasonal shift at party city for years- into my late twenties- surrounded by clueless 16 year old first-jobbers, just to be inundated with the spirit of the holiday. i’d heard lots of “halloween sounds” recordings over the years. it was important to make this recording a conscious and focused effort. in other words, it’s not just me hitting record and then farting around on my pedals. there was a lot of thought put into every sound created. 

every single sound on the recording came from a guitar- albeit a very processed guitar, but 100% guitar. my dream would be for people to play this on their porch to scare the shit out of trick or treaters, or at haunted houses or parties. anything halloween related. not everyone is into noisy, ambient records, but ALMOST everyone is into halloween!

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i know halloween has since passed, but if you’re lookin’ to keep the spirit alive all year long have a listen! please share with all your buds. gonna start working on part II pretty soon here. possibly another Satan’s Power as well!

-nick

Busdriver Remix /// Tour w/Zorch and Fang Island

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our dude Busdriver remixed Snake Lake. actually, he just straight up recreated it. it’s really really cool. thanks so much to him and Milo for being a part of our remix ep. The X’ed Remixes will be pressed on 10” rainbow swirl vinyl and will be limited to 500. when we originally printed the Drugs to the Dear Youth 12” ourselves we thought it’d be cool to only press 500- even though had we pressed 1,000 we would have gotten a significant price break and then we could have recouped our expenses much faster. sometimes it’s just neat to keep things special and limited. so there will only be 500 of these in the universe. you can pre order one here, and we’ll have them on tour. also featuring remixes by fang island, zorch and nick reinhart.

our last tour around the US was loads of fun. we’re trying to make this one even more special. hope to see you soon. buy your tickets HERE!

Fall Tour dates!

w/zorch + fang island (on select dates)

Oct 15 - Boise, ID @ The Crux
Oct 17 - Denver, CO @ Larimer Lounge
Oct 19 - Columbia, MO @ MOJO
Oct 20 - St. Louis, MO @ The Demo
Oct 22 - Columbus, OH @ The Basement
Oct 23 - Chicago, IL @ Subterranean
Oct 24 - Ann Arbor, MI @ Blind Pig
Oct 25 - Cleveland, OH @ Grog Shop
Oct 26 - Buffalo, NY @ Tralf *
Oct 27 - Ithaca, NY @ The Haunt *
Oct 28  - Hamden, CT @ The Space * 
Oct 29 - Northampton, MA @ Pearl Street *
Oct 30 - New York, NY @ Bowery Ballroom *
Oct 31 - Allston, MA @ Brighton Music Hall *
Nov 01 - Philadelphia, PA @ First Unitarian Church *
Nov 02 - Washington DC @ Rock and Roll Hotel *
Nov 03 - Richmond, VA @ Strange Matter
Nov 04 - Greenville, NC @ Tipsy Teapot 
Nov 05 - Charlotte, NC @ Visulite Theatre
Nov 06 - Asheville, NC @ Isis Music Hall
Nov 07 - Athens, GA @ New Earth Music Hall
Nov 08 - Birmingham, AL @ Bottletree
Nov 09 - Broussard, LA @ The Station 
Nov 12 - Albuquerque, NM @ Launchpad
Nov 13 - Tucson, AZ @ Club Congress
Nov 14 - La Jolla, CA @ Che Cafe Collective
Nov 15 - Los Angeles, CA @ Troubadour 
Nov 16 - San Francisco, CA @ Rickshaw Stop  
Nov 17 - Santa Cruz, CA @ The Crepe Place
Nov 20 - Bellingham, WA @ The Shakedown
Nov 21 - Spokane, WA @ The Center
Nov 22 - Eugene, OR @ WOW Hall
Nov 23 - Reno, NV @ Holland Project Space
 
* w/ Fang Island

FALL TOUR!
and now for another MEGA headlining tour! we’ll be blasting sonic waves through your brains in a couple weeks with our friends zorch. fang island duders will rock with us on the east coast. NY, MA and PA are gonna be bonkers- the halloween extravaganza triple threat. dude, this whole tour is gonna be insane. come hang out with us!
Oct 15 - Boise, ID @ The Crux
Oct 17 - Denver, CO @ Larimer Lounge
Oct 19 - Columbia, MO @ MOJO
Oct 20 - St. Louis, MO @ The Demo
Oct 22 - Columbus, OH @ The Basement
Oct 23 - Chicago, IL @ Subterranean
Oct 24 - Ann Arbor, MI @ Blind Pig
Oct 25 - Cleveland, OH @ Grog Shop
Oct 26 - Buffalo, NY @ Tralf *
Oct 27 - Ithaca, NY @ The Haunt *
Oct 28  - Hamden, CT @ The Space * 
Oct 29 - Northampton, MA @ Pearl Street *
Oct 30 - New York, NY @ Bowery Ballroom *
Oct 31 - Allston, MA @ Brighton Music Hall *
Nov 01 - Philadelphia, PA @ First Unitarian Church *
Nov 02 - Washington DC @ Rock and Roll Hotel *
Nov 03 - Richmond, VA @ Strange Matter 
Nov 05 - Charlotte, NC @ Visulite Theatre
Nov 06 - Asheville, NC @ Isis Music Hall
Nov 07 - Athens, GA @ New Earth Music Hall
Nov 08 - Birmingham, AL @ Bottletree
Nov 09 - Broussard, LA @ The Station 
Nov 12 - Albuquerque, NM @ Launchpad
Nov 13 - Tucson, AZ @ Club Congress
Nov 14 - La Jolla, CA @ Che Cafe Collective
Nov 15 - Los Angeles, CA @ Troubadour 
Nov 16 - San Francisco, CA @ Rickshaw Stop  
Nov 17 - Santa Cruz, CA @ The Crepe Place
Nov 20 - Bellingham, WA @ The Shakedown
Nov 21 - Spokane, WA @ The Center
Nov 22 - Eugene, OR @ WOW Hall
Nov 23 - Reno, NV @ Holland Project Space

 * w/ Fang Island

TTTOOOUUURRR AAAGGGAAAIIINNN
hotdog man has been peacefully resting, but pretty soon we’re gonna wake his cute lil ass up and rage across the country. this time with 100% more minus the bear, zorch and fang island!
Sept 07 - Sacramento, CA @ Launch Festival

MINUS THE BEAR // TERA MELOS // THE NEW TRUST:  

Sept 09 - San Francisco, CA @ Slim’s 
Sept 10 - Los Angeles, CA @ The Fonda Theatre 
Sept 11 - Solana Beach, CA @ Belly Up Tavern 
Sept 13 - Tempe, AZ @ Marquee Theatre
Sept 14 - Santa Fe, NM @ Railway 
Sept 16 - Austin, TX @ Emo’s East 
Sept 17 - Houston, TX @ House of Blues 
Sept 18 - New Orleans, LA @ Tipitina’s 
Sept 19 - Dallas, TX @ Granada Theatre 
Sept 20 - Lawrence, KS @ Granada Theatre 
Sept 22 - Salt Lake City, UT @ The Depot 
Sept 24 - Pomona, CA @ The Glass House

TERA MELOS w/Zorch and some Fang Island:

Oct 15 - Boise, ID @ The Crux
Oct 17 - Denver, CO @ Larimer Lounge
Oct 19 - Columbia, MO @ MOJO
Oct 20 - St. Louis, MO @ The Demo
Oct 22 - Columbus, OH @ The Basement
Oct 23 - Chicago, IL @ Subterranean
Oct 24 - Ann Arbor, MI @ Blind Pig
Oct 25 - Cleveland, OH @ Grog Shop
Oct 26 - Buffalo, NY @ Tralf *
Oct 27 - Ithaca, NY @ The Haunt *
Oct 29 - Northampton, MA @ Pearl Street *
Oct 30 - New York, NY @ Bowery Ballroom *
Oct 31 - Allston, MA @ Brighton Music Hall *
Nov 01 - Philadelphia, PA @ First Unitarian Church *
Nov 02 - Washington DC @ Rock and Roll Hotel *
Nov 03 - Richmond, VA @ Strange Matter
Nov 05 - Charlotte, NC @ Visulite Theatre
Nov 06 - Asheville, NC @ Isis Music Hall
Nov 07 - Athens, GA @ New Earth Music Hall
Nov 08 - Birmingham, AL @ Bottletree
Nov 13 - Tucson, AZ @ Club Congress
Nov 17 - Santa Cruz, CA @ The Crepe Place
Nov 20 - Spokane, WA @ The Center
Nov 21 - Bellingham, WA @ The Shakedown
Nov 22 - Eugene, OR @ WOW Hall

* w/ Fang Island

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heck yea

ehx holy stain -> Holy Flanders Fuzz Vibrato Shifter Rainbow Puker!

weird circles (acoustic)

was farting around with an acoustic guitar yesterday. thought it’d be fun to record a lil diddy. enjoy :)

weird circles music video & tour with Minus the Bear!

behn fannin has once again figured out how to brilliantly juxtapose our music with with amazing, surreal imagery. we say it every time, but he is the freakin best. thanks to the folks at Spin for premiering it!

if a rad video weren’t enough, we’re going on a rad west coast-ish tour with Minus the Bear! 

Minus the Bear /// Tera Melos /// The New Trust

September 7 - Sacramento, CA @ Launch Festival (+ blonde redhead, girl talk, surfer blood, rocket from the crypt and more)

Sept 09 - San Francisco, CA @ Slim’s

Sept 10 - Los Angeles, CA @ The Fonda Theatre

Sept 11 - Solana Beach, CA @ Belly Up Tavern

Sept 13 - Tempe, AZ @ Marquee Theatre

Sept 14 - Santa Fe, NM @ Railyard

Sept 16 - Austin, TX @ Emo’s East

Sept 17 - Houston, TX @ House of Blues

Sept 18 - New Orleans, LA @ Tipitina’s

Sept 19 - Dallas, TX @ Granada Theatre

Sept 20 - Lawrence, KS @ Granada Theatre

Sept 22 - Salt Lake City, UT @ The Depot

Sept 24 - Pomona, CA @ The Glass House

see all you hot dogs soon!

say no to disco stu

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here’s a cool interview i did for WLFM radio in wisconsin. -nick

Addy Goldberg: Say something new and interesting about Disco Stu.

Nick Reinhart: i can’t honestly think of one interesting thing to say about Disco Stu, and i think the whole band feels that way. actually, i guess the truly interesting thing about him is how anyone thinks he’s funny, or how the writers/creators of the show could possibly think he’s remotely as great as every other character on the show. i went and referenced a couple disco stu vids on youtube just now to make absolutely sure that this is how i felt. confirmed. he just randomly walks into a scene, does a butt wiggle, then says “disco stu.” he’s a dud, not a stud.

AG: What is the composition process like for the band? Is it largely one or two people writing material themselves and then bringing it to the rest of the group, or is it a collaborative jamming process from the start, or what? Has it changed over the years, in relation to styles/formats of the band/all that? I’m assuming material for the demo, for example, was written fairly differently than how Patagonian Rats was written, which is different from how X’ed Out was written.

NR: the genesis of a song generally starts in my bedroom, just playing guitar. i’ll start to hear some interesting things, figure out ways to transition a couple of ideas, come up with a few variations, roughly paste it all together and then record it. when we first started we would “jam” in the practice spot. maybe someone would come up with an idea on the spot, or bring a few solid guitar or drum parts in, then we would spend up to months refining things (well, as refined as we could physically get them, which sometimes wasn’t very much so, haha). we don’t really do that anymore. 

i’ve found that i write/discover my favorite material after playing by myself for long periods of time. by the time nate or john even hear one second of guitar demos, i’ve already put hours and hours into making it not sound like garbage. whereas when you’re all together in a room playing you’re basically throwing piles and piles of shit against a wall and hoping that something will stick. it gets frustrating when you drive 40 miles to the practice spot for 4 days a week and don’t see tangible results. then multiply that by months and months. so i come up with ideas, bedroom style, then send out these rough outlines and everyone can play to them on their own time and throw as much shit at the wall as they see fit,.then we can get together and modify everything we’ve worked on, individually, and get it sounding like a tera melos song. 

i think those guys have a really good level of trust in me and the musical stuff i bring to table. i can’t think of too many times where either john or nate have said, “yea, uhhh that’s really not that good.” it’s likely because i’m my own biggest critic and had already told myself, “jesus, that sounds awful, back to the drawing board” many times before i’ve emailed any songs.

AG: I’m gonna quote back to you something that has been quoted back to you before, hopefully in a new context: “this is the first fully realized, focused record we have made. everything sounds intentional and the way we wanted it to sound. there are no cringe moments for us. in a lot of ways we look at it like it’s our first album. it is 100% honest and not catered towards anyone. it’s tricky making a record that way, it’s even trickier structuring a band that way.” That was about Patagonian Rats, your last record. How does X’ed Out feel to the band? Now that you’ve already made the album you’ve been wanting to make for a long time, what new feelings have been motivating the creation of this new album?

NR: well in addition to patagonian rats being the record that we’d wanted to make for a long time, it was also the way we wanted to make a record for a long time. so we applied the same process to this album. it’s probably just a matter of knowing what we want and choosing the right paths to accomplish that. it took us a long time to get to this point where we’re happy with how we sound and perform. everyone that’s been in the band made it their top priority and focus. it took years of hammering out ideas and playing nearly 1,000 shows to get this to where we can fall asleep at night without obsessing over how to make everything fit. i think we’re all really happy with our current state.

AG: You’re big pop music fans. Do you consider your music essentially similar in nature to the more straight-ahead pop stuff out there? Do you consider the more “straight ahead” music you listen to “exceptional,” in any stylistic way? What, if anything, unites Tera Melos and Madonna?

NR: hm, i mean we just like all types of music. i don’t think straight forward music is in any way more exceptional. not at all. it’s all just personal preference. i think when we were younger and discovered non “straight ahead” music it was really fascinating and new and fresh. now i don’t get the same exclusive rush listening to it that i did when i was 22. now i can get that rush from lots of different types of sounds. it’s funny you mention madonna, because i can get goose bumps listening to old madonna songs. the production, the melodies, the vocals etc. in fact, just yesterday i was playing drums along to a madonna playlist on my ipod. 

i think it’s just a musical growth thing. like when you’re young and discover punk music- it’s this big revelation and takes over your mind. then we came across more technical, outside the box music and it was the same feeling. now that we’re adults and have further developed our brains we can appreciate all types of music and not feel limited.

AG: Where is that tour documentary, people? Those are such great trailers that have been kicking around for a while now.

the truth is that the documentary was finished, we saw it and weren’t happy with it. it was no one’s fault, it just didn’t have the right content for what we were hoping for. we don’t feel comfortable releasing something that we don’t stand by 100%. so we brought another friend along for a few more tours to gather more footage to eventually put something together that we were all stoked on. it will definitely get finished. as a side note, i literally- LITERALLY -as i was writing that last sentence just got a text message from our friend spencer at Sargent House saying they just got the hard drive with all the tour footage and want to get together to start re-editing. so that’s good news. 

we’re really glad that people are that interested in our band to want to see the doc finished. even though we try to be really interactive with people and work towards dismantling the “wall” between fan and artist, i think a lot of people want to get further inside to see how it all comes together. i have no idea what the vibe will be- could be a fugazi “instrument” type thing or a pantera “home videos” kind of movie. we’ll see.

AG: I think I noticed people stopped describing you guys as “jazz,” once Vince left the band and once John joined. It’s always been a misnomer anyway, but can you relate to that descriptive shift? How do you feel about how you’ve been described, in general?

well vince definitely came from a jazz background. our old guitar player actually met him in a jazz band class at a junior college. he had a very open, fluid approach to how he played drums in the band. when john had joined we were already heading in a bit of a different direction musically, one that jazzier drums might not be completely appropriate for. lucky for us john came from a punk background and brought a very different sound to the band. i think we initially got tagged with the jazz label because there were elements present for sure- weird timing, syncopation, ride cymbal twiddles and lots of 7th chords. i never really agreed with it, but it sounded cool. seems like people generally have a difficult time describing our music, which i think is a really good thing.

AG: What about improvisation live? On some old blog posts I remember you saying how much you liked it when bands change up their live sound, when they make mistakes, when surprising moments happen (yes, I remember those blog posts). It seems you consciously cater your live sound to that type of surprising experience. Is that about right? What motivates a very technical band like yours to take the risks involved in improvising every night?

NR: the improvisation is a result of a few things- wanting to have fun with songs and make them feel fresh to us, making mistakes and rolling with the punches and probably just a sever case of musical a.d.d. so for instance, if i had a photo of a dog and wanted to do 100 separate paintings of it, each one would be a little different. i’m sure after about ten very similar pup paintings i’d probably want to switch it up and make the dog’s eyes melting or something. naturally i’m sure there would be subtle differences in each one. then, because i’m not a super accurate, professionally skilled painter, i’d probably accidentally drip a fat blob of yellow paint onto the dog’s face. so i’d have to figure out some way to work around that. in the end, there would be 100 similar, yet fairly different paintings of a dog. that just seems natural to me. i don’t see why you’d do it any other way. 

AG: Also, listening back on some of the bootleg recordings you posted on that old blog, it seems like you’ve been sitting on some material for a while – Kelly, specifically, which is titled “kelly, phone ya” Live From Atlas Clothing. Is it often that you’ll sit on material for a while, and wait for the right spot in an album to open up for it? Are we going to see some more “old” material popping up on X’ed Out?

NR: a lot of times there are just songs from the past that never got recorded, or didn’t come out the way we wanted, or that we just simply really liked and wanted to rerecord for fun. there’s a couple older pieces of material that pop up on this record. “melody nine” is a redone version of a song from our split with by the end of tonight. the original version was electronic based. we’ve been playing a live version of it for a couple years now. then the main riff for “sunburn” is one that i’ve used in a few songs that never really got a fair shot at being developed into a real part. i think i’d used that riff in 3 or 4 songs previously. that’s actually kind of neat. i not ashamed to admit that i’ve pirated my own guitar part, haha.

AG: Can you give us an interesting road anecdote? Something that characterizes Tera Melos’ interaction with audiences around the world? 

NR: there’s this guy we know, he goes by “panda.” don’t know his real name. he lurks around the atlanta area. he’s this really far out, bizarre, awesome, critter dude that brings us bags and bags of random stuff everytime we come through town- broken guitar pedals, hats, tea, bags of pubic hair, cassette tapes, action figures, sidewalk chalk, video, furbies etc etc. you name it and he’s probably brought it to us. very odd. i think we have given him this music that’s very important to him and helps him out through life, so he just wants to give something back to us and contribute to our world. i know for a long time he didn’t know how to pronounce our name properly either. so that was funny. we’re misunderstood by even those that understand us the most. haha, deep.

AG: At a few points you had some somewhat eloquent things to say about pirating music. What are your current thoughts on this trend? Does a wide audience satisfy you more than money with which to scrape by? Or is music being widely distributed an investment on people showing up to shows later, or some other rationalizing logic? Is bandcamp solving the problem posed by music piracy?

NR: shoot i don’t really know. look, we want as many people to hear and enjoy our music as the universe will allow. but we’re also all pretty much 30 and would like this to be a sustainable source of income. so the question is where do we draw the line on how people hear/enjoy our music. if we’re playing a show that costs $10 and there are 5 people outside that don’t have $10, then without question we would want for them to be able to come in and watch us play. but then at what number of people without $10 do we say, “i don’t think so.” i mean, honestly, if there were 100 people that couldn’t afford the show, i’d want them all to come in for free or whatever they can afford. i think a lot of our fans know our vibe and that we’re not making fistfuls of cash playing in this band. if someone pirates a record then chances are they’re gonna buy a shirt. which i’m fine with. but actually, why not just buy the album and the shirt?? i don’t know, i get trapped thinking about this stuff. a solution to that particular situation would be- dude downloads record for free from a torrent, comes to the show, buys a shirt AND a vinyl, which comes with a download card anyways- then all is right in the world. 

we also do the barter system- if someone can’t afford to pay for a show then they can bring us something cool and we’ll put them on our guest list. we’ve gotten cool music gear, razor scooters, video games, simpsons stuff and lots of other cool goodies that were probably just sitting around collecting dust in someone’s closet. 

we just want lots of people to like what we’re doing and come to shows and help us afford to keep doing this. i don’t know how to make all of that fit. bandcamp definitely helps for sure. it puts the artist in control and let’s fans have a lot of access to music. buy music if you can, if you can’t- then take it, but you owe us one!

AG: How do you see yourself in the music world? Do you consider yourselves an active part of a very specific music scene (*cough* math rock *cough*), as much of the coverage of your band would like to portray? Or are you just a handful of dudes playing some weird music that happens to be similar to other handfuls of dudes playing some roughly similarly weird music?

NR: i’ve definitely given a lot of thought to our position in the music world, but i don’t think i ever come up with anything that satisfies me. i think it’s best for us to not think about that sort of stuff. we just create music that we enjoy and hopefully the rest of it all works out.

i know we’ve been pretty outspoken about the math rock thing and how we don’t prefer it. i think it’s mostly because we generally don’t really care for stuff that falls under that particular genre and most of it feels unrelatable to what we’re trying to accomplish. in 2001 we were all still in punk bands. fugazi had already started to shift some of our musical perceptions, but it was all still very much a “punk” context for us. then we discover bands like hella, dillinger escape plan and king crimson. those were all very big deals to us. once that switch is flipped there’s no really going back. then we start this new band. drummer shows us how to play in odd time signatures. everyone has fun. and that’s that. i do remember hearing the term math rock thrown around once or twice, but it was likely just in passing.

i guess it also seems like the current quality of math rock is definitely not what it was 10 years ago. it used to be a real musical subculture with deep roots, and now it’s just commonplace. feels like it’s been diluted, big time. when we saw bands like hella, the locust, botch or dillinger for the first time it was jaw dropping. like, shocking. it’s a bummer that the generation after us didn’t really get to witness such massive shifts in the music world like the ones we saw. i really don’t mean for that to sound pretentious. it just seems like the bar has been lowered for that kind of stuff. so maybe the internal problem i have with being labeled a math rock band has something to do with a fear of being a band playing under the “bar” that, for me, was set so high and blasted my mind open. we want to keep our band fresh and exciting. i still LOVE the idea of a community of bands that exist on the fringe and is working to move music forward. that’s what i want to be a part of.

AG: I’m now beginning to realize (being an oblivious east-coaster), that Tera Melos formed in a very interesting music scene. Can you wax poetic on your local scene of yesteryear? Are you considered the group that made it big from among them? What bands did you wish you were still playing shows with? How important was that scene to the band you are today? 

NR: when we were younger nate and i were in punk bands that played around sacramento. there were some pretty crazy musical things happening (unbeknownst to us) up in grass valley/nevada city (about an hour north east of sacramento). bands like legs on earth (zach hill/spencer seim’s first band) were starting to play and freak people out. but it seemed pretty insulated and didn’t really trickle down into the sacramento punk scene. not that i remember at least. so in high school it was pretty much strictly punk and hardcore shows that we found ourselves hanging out at. at one point, in 2001, a friend of mine wanted to go see a band called chrime in choir. they were sort of this keyboard based, live electronic band. i think that’s how they were described to me. my friend told me they had this crazy drummer that could play drums like no one we’d seen before. i was really skeptical about that because there were a lot of great punk/hardcore drummers that we were really into. so we drove to a coffee shop in placerville (about 45 minutes outside sacramento) to see chrime in choir. turns out they had to cancel for some reason and instead a different band that shared the same drummer was going play. the band was hella (which would be zach and spencer’s second band after legs on earth). they played and just totally destroyed. from that point pretty much everyone in sacramento was shaken up. you’d even hear the crustiest of the punkers talking about these weird ripper guys from nevada city. there wasn’t really a local scene for that stuff yet. so hella played with punks bands, hip hop groups, hardcore bands etc. it was really trippy. 

i don’t think we’d be the same band had we not come out of punk music. having that foundation was important in developing into an interesting band and how we allow it to breathe and exist. one of my all time favorite bands was this local band called diseptikons. they were a really fast hardcore punk/thrash band. they had this black flag/dri/early metallica vibe that was just paramount. incredible musicianship and great lyrics about the morals and ethics involved within the underground music scene. miss them for sure. 

AG: Any parting words?

NR: “a noble spirit embiggens the smallest man” -jebediah springfield

x’ed out / sex’ed out / text out

new song up there ^^^

nice words about new song ^^^

older new song here ^^^

cool new poster drawn by garrett vander leun right there ^^^

headlining tour with this town needs guns down there vvv

Apr 18, 2013 - Portland, OR @ Doug Fir Lounge 
Apr 19, 2013 - Seattle, WA  @ The Crocodile 
Apr 20, 2013 - Vancouver, BC  @ The Media Club 
Apr 23, 2013 - Fargo, ND @ The Aquarium 
Apr 24, 2013 - Minneapolis, MN  @ First Avenue 7th Street Entry
Apr 25, 2013 - Appleton, WI  @ Lawrence University 
Apr 26, 2013 - Chicago, IL  @ Subterranean 
Apr 27, 2013 - Detroit, MI  @ Majestic Theater/The Magic Stick 
Apr 28, 2013 - Toronto, ON @ The Garrison 
Apr 29, 2013 - Montreal, QC @ Il Motore 
May 1, 2013 - Allston, MA @ Brighton Music Hall 
May 2, 2013 - Brooklyn, NY @ Knitting Factory 
May 3, 2013 - Philadelphia, PA  @ The Fire (two shows)
May 4, 2013 - Washington, DC @ DC9 
May 5, 2013 - Raleigh, NC @ Kings Barcade 
May 7, 2013 - Atlanta, GA @ Masquerade 
May 8, 2013 - Jacksonville, FL @ Jack Rabbits 
May 9, 2013 - Miami, FL @ Bardot 
May 10, 2013 - Ybor City, FL  @ Crowbar 
May 11, 2013 - Orlando, FL @ Will’s Pub 
May 13, 2013 - Nashville, TN @ Exit/In 
May 15, 2013 - Baton Rouge, LA @ Spanish Moon 
May 16, 2013 - Houston, TX @ Fitzgerald’s 
May 17, 2013 - Dallas, TX  @ Club Dada 
May 18, 2013 - Austin, TX @ Red 7 
May 19, 2013 - San Antonio, TX  @ The Korova 
May 20, 2013 - El Paso, TX  @ Low Brow 
May 21, 2013 - Scottsdale, AZ @ Pub Rock 
May 22, 2013 - San Diego, CA  @ The Casbah 
May 23, 2013 - Los Angeles, CA  @ The Echo 
May 24, 2013 - Santa Ana, CA @ The Constellation Room
May 25, 2013 - San Francisco, CA @ The Bottom of the Hill

doing a headline tour this spring

working on some remixes for x’ed out ~ nippon edition

gonna do a bunch of vids with behn fannin

track list for new record:

1. Weird Circles

2. New Chlorine

3. Bite

4. Snake Lake

5. Sunburn

6. Melody Nine

7. No Phase

8. Tropic Lame

9. Slimed

10. Until Lufthansa

11. Surf Nazis

12. X’ed Out and Tired

very stoked about this record and excited for you to hear it

ROLLING FREAKIN STONE

somone is getting fired at rolling stone because somehow our new song ended up on their site! or wait, it’s definitely possible that we made a cool new record and they like it. in any case, AWESOME. 

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